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The stars are falling through these broken skies

Like tears they dance across our opened eyes

One glimpse of dream

Has found me in this endless knowing

Threads past all the stars to make you shine

Two silver rings

That draw me close in careless motion

And dance across the depths of sea and sky

And nothing now could keep me from your side

Amhose, Warrior-poet, before her disappearance at the Battle of the Scarred Peak

[Editors note: this is a rough translation to modern Pelagic of one of the early essays written by Amhose, famed Warrior-poet and philosopher. She was not famous for her scientific or astronomical skills, but was well known for several volumes of work – some now lost – summarizing the theories and ideas of other philosophers, poets and astrologers, in a relatively objective (though one cannot say impassive) way. This essay is not her most famous, which most people commonly accept to be her love poems entitled Only if for a Night, but it is a clear and relatively modern perspective on what various philosophers, astrologers and other thinkers have theorized about the stars]

Prologue

We have all had this experience, or should have if we are to count ourselves adults and fully-formed souls in these difficult times: you wake in the early hours before battle, your lover’s bronzed skin a streak of liquid amber against the rugs and blankets of your battle-tent, flickering in the last light of the candle that was the last witness of your best exertions. Your mind is still, calm with the last langour of lust sated, not yet urgent and twitching with the sense of the coming battle. You stir, your lover murmurs some sweet words, but you are quiet, and anyway it is better to rest before the coming bloody dawn, so you slide out of bed and slip on a gown, wondering “why am I awake?” And as always before the battle you find yourself standing outside the tent, the first light of dawn roseate on the far horizon, the sun shard gone, its strange play of silver and faint blue-greens lost from the darkness. In its place the stars blaze, a million tiny points of light that could be just over your head, close enough to reach, or a bow’s shot away, or so far away that no bird or magic could ever reach them. Elusive points of light, purposeless, cold, so near yet so far. You have killed under their indifferent flickering light, they have served as props for some empty declaration of love that wooed a stranger to your bed, they have witnessed your quiet tears for comrades dead and lovers lost and secrets buried, though doubtless they cared not at all. Always there, silent, inscutable, unknown, unreachable. What are they? You stare at them as you sip your drink and the camp lightens slowly, inexorably as the dawn light streaks the sky pink and the storm clouds of distant battle gather in your heart.

What are they? Do they have a purpose? What can we make of them? I have wondered for years, and as I wandered this land I have asked many people – farmers, warriors, rimewardens, maidens, crones, old men in the market place and young men in my bed, Astrologers, bakers, beggars and lords – and I have learnt many theories about their strange, constant, alien beauty. Sadly the study of these stars is relatively new, having only begun long after we settled our peoples after the Harrowing, and mostly confined to the idiosyncratic interests of a few Astrologers. The dwarves use them for navigation but are reported to have a singular lack of interest in them beyond that, and although the elves are known to be able to communicate under the stars, there theories of the origin or nature of their friends in the sky are a mystery to humans. Is this by design or simply because of their lack of interest in humans? Regardless, study of the stars is limited and relatively new, and questions far more common than answers. Here, then, let me describe what I have learnt. Perhaps after I am gone – after we all are gone – someone will be able to make sense of the ramblings of many philosophers, and come to some ultimate conclusion about these elusive points of light. Or perhaps not. In any case, let us consider the folly of modern thought about this strangest and most impenetrable mystery of our lands and skies.

The facts

Abraxis, in his timeless work Logic and its Inquities, argues that before we even begin with first principles we should confirm and agree upon those facts which are incontrovertible with respect to the matter at hand, and those things that we can confirm and all agree upon with the evidence of our own senses. Only then, Abraxis argues, can we begin to build a theory of that which we do not know. Had Abraxis followed his own guidance he might have noticed what was happening between his young wife and the dairy maid, and would not thus have ended his life so when the truth was revealed to him that fatal day on the rocks above that part of coast we now call Abraxis Reach; but his own failings notwithstanding, his method is as solid as a steel sword in a firm grip. Let us then confirm some facts, and ascertain some basic details about what everyone agrees our senses tell us about this strange topic (by which I refer of course to the stars, not Abraxis’s failed love life).

We humans have lived on the Archipelago for 1000 years, but because of the Harrowing we lost all our knowledge of the time before we came here, and do not know where we came from or why we came here. Elves, dwarves and deepfolk lived here in grace and savagery before we arrived, but it is not known whether Wildlings and Changelings came with us, before us, after us, or were always here. Humans began to settle towns and cities permanently about 800 years ago, after the end of the Harrowing, with the help of elves and dwarves, and have been building a coherent, continued history for 700 years or so. During that time conflict with deepfolk has been constant, though it ebbs and flows, and I am unlucky to have been born at the peak of one of those flows, which is why the hands that write this text are calloused from sword rather than ploughshare. That lost 300 years of history have cursed us to an uncertain community: We do not know how long we were in the Archipelago before the deepfolk turned on us and the Harrowing began, whether one generation or several, and the reason the Harrowing ended and the story of how humans first settled permanent towns and cities is also shrouded in mystery, though we believe that it was done with help from the elves and the dwarves. The elves taught us stonework, the dwarves made us shipwrights, and the Wildlings taught us to fight. Now we have spread out across all the lands where they did not live, and naturally when we stand on those lands under the night sky we look to the stars.

The stars are a mystery, as is the sunshard. We can see them on a clear night, indicating that they must lie behind the most distant clouds, and they clearly generate or shine with light. Some stars are fixed in the firmanent, some move erratically, and some move in stable patterns that repeat over generations. Some, it is believed, are on stable patterns that repeat so slowly that we may have seen them only once since the Harrowing, and perhaps maybe those others which appear erratic are simply moving in patterns too slow or too complex to have been measured in the short space of human history. Stars have been known to disappear, but our catalogue of these tiny flickering lights in the sky is incomplete, and so we do not know if new ones are born. No one has seen a star during the day, but they can be seen when the sun shard is dancing. It is also known that elves can dream under the stars and share those dreams with each other, though little is known about the elven relationship with the stars beyond this. We can view stars with a telescope, but they simply appear as larger lights with no detail or further structure. So what are they, and what do great thinkers believe about them?

The theories

Let us immediately dispense with the most outlandish notions, for though we are here to discuss speculation we must not humour insanity. The scholar-physician Banu Delecta, for example, believes stars to be distant equivalents of our own sun, which may be warming other lands as our sun warms ours, and beneath which it is even possible other humans – or stranger creatures – live. We obviously reject such nonsense out of hand. Let us also reject also the stranger pscyho-philosophical musings, such as those of the idiot-savant Kanta, who believed that the stars are an extension of human dreaming, and that if we all willed it so we could eliminate night altogether, and live a lifetime of perpetual daylight. Kanta believed that the stars were a representation of all the souls of humanity, shining in the sky as they allowed their own fears and confusion to create a shroud of night over the earth. After 30 days without sleep, it is said that Kanta lost his own mind, and thankfully so his theories were lost to us in his mad apotheosis on the isle of Kaen. Dragons, perhaps, also do not accept preposterous theories of the universe.

So to more tangible explanations of the nature of the stars. Many scholars have proposed that they are fragments of our own sun, cast far across the sky in an ancient cataclysm that weakened the sun and left embers of it burning in the deeps of night. Some say this cataclysm accompanied or even triggered our arrival in the Archipelago, while others believe it predated that event and even predates the the arrival of elves and dwarves in the Archipelago, if indeed they ever arrived here and are not native to these shores. This theory explains the extinction of stars, which are perhaps embers burning out, and the strange movements of others – perhaps some of those embers are still careening though the darkness of empty space beyond our skies, spinning and tumbling in fire through the distant heavens. If so then one day they will all fade, and the sky will become a clean black slate. But this theory does not explain why we cannot see stars in the day, or why some of these chunks of light are not larger than others.

Analactia proposed a Two Worlds Theory, in which the darkness of the night sky is a shroud between our world and another, and our sun most also move around and between that other world, which is why it is not in our own sky constantly. Then, the shroud between the worlds is sometimes rent or torn or has tiny holes, and so we can see the light of that other world as the sun traverses its daytime sky, shining through the rents in the sky to remind us that our sun will return. This theory is complete in its own right, but it raises many questions, and in particular I am concerned to know when the denizens of that other world will find a way through the shroud of night, so that I must fight them. Others, such as the renegade Astrologer Zenobix, have proposed a many worlds version of this theory, though these are less attractive except in that they offer a wider array of opponents for me to one day face in battle.

A variant of this Two Worlds theory is the much-derided Two Levels theory. In this idea the world of the deepfolk is actually somehow removed from ours, and is a kind of inverse world in which our sun shines during our night, and the deepfolk are in every sense an inverse of us – cruel where we are kind, hating our day and loving our night while they love their day and hate their night, rich in steel where we are poor, and so on. In this Two Levels theory the land of the deepfolk is on the other side of the sky, not underground, and the tunnels where we find and fight the deepfolk are simply entries to the other world, and the stars are variously the rents between those worlds, or the ways in which all forms of immorality seep into our world through the thin veil that separates us. I have fought deepfolk above and belowground, and I am sure that they have no sunlight in the world where they live, so I do not accept this theory. They are horrible pale-skinned monsters who crawl beneath the earth in darkness and ordure, and that is all the philosophy we need to understand them.

Other philosophers, such as Nedia the Younger, suggest that the sky is a kind of realm of the spirit, and our souls become stars fixed in that firmanent after we die. In Nedia’s cosmology, the sun departs from the sky for half of the day so that we may see the souls that have left us, and when we sleep we draw closer to the collective memory of our ancestors. In Nedia the Younger’s celestial vision our dreams are a way of drawing collective wisdom from those who lived on this earth before us, and we inherited this practice in a weakened form from the elves, who are able to commune with their own ancestors in their dreams, and can use the firmament as a medium of communication precisely because they understand as a people that it is the medium in which lost souls are embalmed. Some have observed – often somewhat critically – that the elves have no such theory of their own souls (indeed, anyone who has fought alongside elves might be led to wonder if they have souls at all!), and others have pointed out that simple mathematics suggests that if this theory is true ultimately the sky will become a single field of brilliant light and we will never again be able to sleep under the burdensome brilliance of our own ancestors’ post-mortem glow. How will I be able to take a new lover when all my past lovers who died in battle (not with me (mostly)) are up there looking down on me? I cast my salt-thanks regularly in appreciation of tents, against the possibility that this theory holds any truth.

The Romantics claim that the stars are a remnant of our tears from the Harrowing, fixed in the firmanent to remind us of our suffering. This is why the three stars known as Sword, Sigh and Tear circle back to their fixed positions over the Archipelago every year at the time of the Harrowing, and why the stars burn brightest at that time. They are the permanent reminder of that tragedy, and also the reason that the stars stir in so many of us feelings of regret, longing, sadness and hope. The Romantics, of course, have idiosyncratic ideas about dwarves and elves, which might explain why their theory does not consider the pre-existing history of the elves and dwarves on this matter (but we all know that if the Romantics had their way, there would be no dwarves or elves). I cannot credit the Romantics with any philosophical or scientific depth, and in general consider their few remaining adherents to be good for nothing except cheap banter, drinking songs, and an occasional robust brawl. I doubt their cosmological theories hold up much better than their brawling skills, either.

My personal belief is that this is all nonsense. The stars simply are, they have always been in the sky and always will, sometimes changing and sometimes dying, sometimes fixed and eternal. They move on patterns of no relevance to our own lives, and any finding that a star or a constellation affects matters in the Archipelago is simply coincidence, or the result of humans fitting patterns of our lives to the movements of the stars. For example, perhaps during the Harrowing humans fixed the Sword, Sigh and Tear as a good measure of time, and decided to define a year that way, so that after the Harrowing was over the beginning of years was fixed to those stars, and they have no connection otherwise to our history of torment and exile. We are here, they are there, and the deepfolk are beneath us, plotting and scheming. So it is that I must put aside my pen, again, cease my reading and speculation about the nature of the heavens, pick up my sword against the one and only threat that faces all of us, and act on the only philosophy that matters – the complete and utter extermination of deepfolk. The stars will be in their fixed, cold movements in the heavens long after I am gone, and I cannot change that, but I hope the deepfolk will be dead and gone by my hand, in my lifetime, and that at the end of that great fight I can turn my face up to the stars’ cold indifference, show them the blood on my hands, and tell them that I do not care what they are because I am, I slew, and I won.

A commenter at a Genesys community group online has made the following comment about my criticisms of the role Brawn plays in the Genesys combat rules:

One rule that stands out to me relates to party composition in combat and I haven’t seen it mentioned here. If an ally is engaged with the target of a ranged attack (magical or mundane) the attack must upgrade the difficulty once and any despair causes the attack to instead strike the ally. This, combined with setback from the cover rules causes allied melee fighters to either risk causing their ranged allies to miss, hit them instead, or, as is most often the case, choose to shoot something else.

This is true, but I think it doesn’t fully encapsulate how much of a difference brawn makes even to situations where we choose party composition. So let’s consider two scenarios involving combatants maximized for combat and melee.

Introducing the combatants

First let’s introduce our melee combatant, Gruumsh the Bastard, pulled out of retirement from the pathfinder epidemiology project[1] to do his duty as an experimental subject in our battlegrounds. Gruumsh has a brawn of 4, all other attributes at 2, 2 skill ranks in melee, 1 rank in ranged, no stealth (who needs that?!), a greatsword, a bow and chainmail armour. He thus has a melee defense of 1, 14 wounds, soak 6, does 8 damage when he hits you, and 7 damage if he decides to shoot you. For the purpose of this experiment (to retain fairness) Gruumsh has been dragged from Pathfinder to the Realms of Terrinoth in a human form.

Ranged (haha) against Gruumsh the Bastard is Elegant Eddie. Elegant Eddie has an agility of 4, all other attributes at 2, 2 skill ranks in ranged, 1 rank in melee, 2 ranks in stealth, a sword, a longbow and chainmail armour. He thus has a defense of 1 when in melee, 12 wounds, soak 4, does 8 damage when he shoots you and 5 damage when he stabs you. Eddie is also a human, though a miserable example of his kind as far as Gruumsh is concerned.

Now let’s try two scenarios.

Scenario 1: Firing into melee

We suppose first that Gruumsh has an ally like Eddie, who is nameless. He is attacking Eddie’s ally, who is like Gruumsh, in melee. We don’t care how this melee turns out in detail, but what we want to investigate is the consequence of Gruumsh being engaged while his nameless ally fires into melee. The specific rules of this state that we upgrade the difficulty of the shot by 1, so let’s put Gruumsh’s ally at short range and have him thus use a single red dice for difficulty. If he rolls a despair then he will hit Gruumsh. There is a 1/12 chance of a despair on the ally’s dice pool, so about an 8% chance he’ll hit Gruumsh. The maximum damage he can do in this situation with a truly ridiculous roll is 15 damage, of which Gruumsh can absorb 6, taking 9. A more realistic roll would see the attack do 11 damage, of which Gruumsh takes 5. So realistically this can happen 3 times before Gruumsh goes down. There is a scenario in which Gruumsh’s ally rolls despairs and triumphs, and thus does a critical on Gruumsh, but the chance of this is very low – my calculations put it at about 1% – and any GM who ruled in the extraordinary case of rolling 2 triumphs and 1 despair that the triumphs and the despair don’t cancel would likely not survive the session.

It’s worth noting in this case that the final probability of missing the enemy is similar with or without the upgrade, so if Gruumsh doesn’t engage this enemy and leaves it to his ally to shoot, the party is not significantly improving the chances of the ally doing damage on the enemy – and what is going to happen if Gruumsh doesn’t engage? Which brings us to scenario 2: Gruumsh and Eddie at range.

Scenario 2: A ranged stand off

Let’s suppose that Elegant Eddie and Gruumsh the bastard face off at medium range. Here the difficulty for Elegant Eddie to hit Gruumsh is two purple dice. Let’s suppose they shoot each other, so Gruumsh is not using his best skill. In this case if Elegant Eddie gets one success against Gruumsh he does 9 points of damage, which is 3 net; if Gruumsh gets one success on Elegant Eddie he does 8 points of damage, which is 4 net. For Elegant Eddie to do more damage than Gruumsh in this ranged stand off he needs 2 more successes than Gruumsh! Now each ability die is equivalent on average to 0.625 successes, and each skill die 0.83 successes, so this deficit is the equivalent of Elegant Eddie having two less ability dice and one less skill die – so basically the equivalent of Gruumsh’s agility and skill, but for the slightly elevated chance of a critical[2]. Also note that if they’re dealing approximately the same damage to each other after soak, Gruumsh will kill Elegant Eddie first, because Gruumsh has more wounds. So unless Elegant Eddie gets lucky with criticals there is a chance that he will lose this battle even though he is fighting it with his best ability and Gruumsh the bastard is not.

Now let’s suppose that instead of shooting Gruumsh decides to charge Elegant Eddie. He needs to close from meidum range to engaged, which will take him two manoeuvres: one from medium to short, one from short to engaged. This means that he can spend two strain and gets one attack against Elegant Eddie. Note that even though Elegant Eddie has better agility he doesn’t have better initiative chances, so it’s possible that he’ll never get a chance to shoot Gruumsh, but just in case, let’s assume he does. The maximum damage he can do is 16, of which Gruumsh will take 10, so Gruumsh is guaranteed to reach melee this round. There is a small chance that Elegant Eddie will get a critical, in which case there are a couple of criticals he can roll up (11-20, 41-45, 71-75, 81-85, and 96 – 105 if we are going to be generous to Eddie) that could stop Gruumsh from closing range. My estimation of probabilities puts the chance of this chain of events happening at less than 3%. So there is a 97% chance that Gruumsh is going to close range and get an attack in one round.

The maximum damage Gruumsh can do is the same as Elegant Eddie: 16. But Elegant Eddie has 4 soak and 12 wounds, so Gruumsh can knock him out in one round. The chance of this is low obviously, but note that the minimum damage Gruumsh can do on a successful hit is 9, which translates to 5 for Elegant Eddie, so there is almost zero chance that Elegant Eddie is going to survive two hits – and next round he’s going to need to use his free manoeuvre (assuming he gets one) to get his sword out. Once his sword is out there is actually a chance he’ll do zero damage against Gruumsh even on a successful hit!

A note on cover

Let us suppose that Gruumsh the Bastard wins the initiative and sees that Elegant Eddie has a ranged weapon. Suppose that there is some cover at short range that gives him two defense. He could use his free manoeuvre to get there, dive into cover, then next turn use another free manoeuvre to close to engaged, thus saving two strain. Is this worth it? Each point of defense has a 1/3 chance of reducing Elegant Eddie’s dice pool result by one success, so the two dice in total could reduce the dice pool by two successes at most, some of the time. But Gruumsh the Bastard has two extra points of soak than Elegant Eddie, so this cover is less effective than his brawn advantage in protecting him. The rule book says that two cover dice is equivalent to a trench or blockhouse. Gruumsh’s brawn advantage is better than putting him in a pillbox! If Gruumsh opts to run to cover he would be offering his opponent a chance at a shot at reduced difficulty, with almost no benefit, even if that cover were a blockhouse! Unless Gruumsh is already down to his last two strain, the simple fact is that there is no benefit to him in pausing – he should just rush to melee. Note that if the cover were at medium range and the battle started at long range, he would probably be better off waiting for Elegant Eddie to shoot, rather than running to cover, because the benefit to him of gaining the two cover dice does not out weigh the benefit to Elegant Eddie of the range improvement, given his brawn. He is better off just pausing his run, standing at long range, waiting for Elegant Eddie to shoot him, and then closing to cover. And if Elegant Eddie uses his free manoeuvre to maintain the range so that they have to turn this into a shooting match, Gruumsh’s brawn will neutralize Eddie’s extra skill anyway!

Conclusion

Truly Gruumsh is a bastard. His brawn acts as a dampener on ranged attacks, so that PCs who have chosen to maximize this skill are effectively no better at it than Gruumsh himself (and Gruumsh obviously disdains such petty strategies). Although it is true that firing into a combat in which Gruumsh is engaged slightly increases the risk of harm to him, this risk is small and not worth foregoing Gruumsh’s rush into combat. Worse still, if Gruumsh and a ranged fighter enter an encounter at medium range there is almost no chance that the ranged fighter will survive, even though the engagement has started in a way that should heavily favour the ranged combatant. There is no reason for Gruumsh to seek cover if he wins the initiative, since his brawn effectively acts as if he were hiding in a bunkhouse anyway. None of this is an issue if brawn does not affect soak, and note that things become even more catastrophically difficult for Gruumsh if agility determines combat skill – then Gruumsh would be better off with 3 brawn and 3 agility, and all his calculations would change. Just as in my original experiments in Pathfinder, being able to kill someone quickly outweighs fancy considerations of style, and the doubling up of brawn to both defense and offense means that brawn-focused characters are more dangerous than better-armed opponents even in ranged combat!

Some arguments in the online community where this debate unfolded suggested that Genesys was developed for ranged combat, because it was developed for Star Wars, where blasters are the core weapon. First, this isn’t true – the Star Wars system was developed from Warhammer 3rd Edition, which was developed for a world of Grim Fantasy. Secondly, it’s also wrong. This analysis shows that the system clearly disadvantages ranged fighters heavily.

One small limitation of my analysis here is that I have not considered the cost of completely missing (or the benefits of being completely missed) in scenario 2. This might slightly readjust the balance of risks, but is complicated to calculate for Genesys dice pools. But overall I don’t think that nuance significantly changes the basic finding, which is that brawn serves to neutralize ranged attacks through soak to such a degree that it completely distorts the balance of combat. Brawn should not be applied to soak, or if it is, melee attacks should all be agility based.


fn1: Incidentally, it’s interesting to compare the generally positive response of the Pathfinder community to my rules suggestions there back in 2015, with the negativity and criticism of the Genesys community.

fn2: I am using this approximation because calculating precise probabilities for dice pools in Genesys is tough and I can’t be bothered writing the R code to do it.

The PCs have raided a tea merchant’s compound and driven out some strange fey creature that was nesting there. A businessman in Estona has offered them the (relatively) unrestricted use of the compound for themselves for one year, and so now they prepare to move in. This post gives a brief description of the compound and its buildings.

The compound belonged to the sister of their benefactor, but she managed it poorly and became entangled in legal trouble with a firm in distant Rokun, which prevented her from selling the place or significantly changing it to some other purpose (such as a stonemason’s yard). It had become unprofitable due to competition from tea merchants in town, and after she died the PCs’ benefactor, Arvil, inherited it. Arvil himself is a successful businessman who is entering retirement, and has little interest at this late stage of his career in rehabilitating a fading investment or taking risks on it, especially given its legal troubles. He is more than happy to let the PCs manage it for a time.

The property is about a half day’s ride east of Estona, on an overgrown track that leaves a fork of a fork from the main eastern road. It has been allowed to become overgrown and is situated in quite thick, boggy forest. The fey that was nesting in the compound had woven some kind of glamour over the forest to make it difficult for people to follow the overgrown path and find the property, which even from the river is difficult to spot in its overgrown state, but the PCs managed to penetrate that glamour and now know how to find the place easily. The primary features of the property are listed here.

1. Lighthouse and pier

The lighthouse is crumbling wood, with unstable stairs inside leading up to a small tower that once held a light. From here there is a good archery position over the whole area but it is difficult to climb to without breaking the stairs or falling until it is repaired.

The pier is also crumbling, and there are no boats on it.

2. Warehouse and office

The warehouse has solid rammed earth and rock foundations, with wide double doors that open into the slightly recessed, cool first floor of the building. There is nothing here except a few trashed crates. Wooden stairs in one corner go up to the second floor, which is a solid wood extension to the first floor. This room contains some smashed up furniture and a long window looking out over the river, with a smaller window looking out over the courtyard. It is another excellent archery post but there is only one way in or out. The windows are jammed shut.

3. Storehouse

This is a white-washed stone building with large doors on two sides. It used to hold food and supplies for the compound (not tea – this was stored in the warehouse near the pier). It is now empty, and the doors smashed.

4. Stables

The stables have 6 stalls, and a little space at one end for stairs leading up to a storage loft.

5. Servants’ quarters

On the western end of the stables is a door that leads under a covered porch to a small servants’ quarters with four beds in it, where the stablehands used to sleep. This room is drafty and empty.

6. Tea workshop

This long, single-story building has solid walls of stone carefully placed together, and good quality tile roofs that are largely intact. Inside the walls are lined with ceramic and the floor is cool slate. Large stone and wood benches stretch down the middle, and a series of large storage cabinets run down the southern wall. The northern wall has faucets for hot water from the hot spring, and also a pump and well system for water from underground. The beastmen used this water and treated the room relatively well, though it is still not clean. A door in the north runs to the onsen, and to the east a door opens to the tea roasting space.

7. Roastery

Tea used to be roasted here and although the roasting oven itself is smashed and useless, the space is perfectly designed for e.g. a forge.

8. Hot spring

The hot spring is in an interior room in this wooden structure. There is a narrow changing area on the outside, with racks for clothes and some old wooden buckets and brushes nearby. A ceramic tube carries water from the spring to the spigots in room 6, and another tube carries it to the kitchen in building 9. There is also a sluice on the eastern wall but it no longer works. The onsen itself is a large rock structure that the wooden frame has been built to obscure, with water rising from an exit point perhaps 3m above ground and falling into a pair of connected pools, one higher than the other. The water from the top is very hot but cools rapidly as it falls to the pools – supernaturally rapidly – until it is just scalding hot in the smaller, higher pool and then perfect temperature in the lower pool. The sluices and ceramic tubes connect to the top where the water emerges, so they deliver essentially boiling water to the rooms each side of this one. Steam rises through vents in the ceiling, and smaller gaps in the rocks allow small floods of water to fall around the main rocky structure onto slate floors. Beneath the slate are several layers of wood, through which the water seems to seep relatively comfortably, and the ground outside the building is not especially wet. Water from the lower pool runs away into a crack at the base of the pool where it disappears presumably underground. The only hint as to the magical nature of the pool is the strange speed at which the water cools.

9. Longhouse central office

This is the building where the tea merchant would conduct business with visiting traders, and also where the tea merchant himself lived. The first floor has a recessed floor and walls of solid brick and earth, like a typical Archipelago longhouse. In the centre of the area is a large firepit, surrounded on three sides by chairs and with a table between the firepit and the western entrance. To the east is the main entry area, a small porch-like structure with double sliding doors leading east and a separate entrance that opens to a covered walkway extending across to the hostelry. The western side of the main room has steps leading up to a small kitchen and stairs that go up to the second floor. The second floor has three rooms: on the eastern end a bedroom, in the middle a study and office, and on the western end a small sitting room area. The servant who worked here has a small sleeping room abutting the hostelry. The beastman sheltered in here, and it is trashed and stinking with refuse and rotten meat. The fey leader lurked in the rooms above on the second floor, which probably require a good cleansing religious ritual before they are comfortable for humans to use.

10. Hostelry

This is a simpler wooden building with stone reinforcement on the side facing the river. Its first floor is a wide, open living and dining area, with a kitchen on one side and beyond that a small set of servants’ quarters for a total of four servants. Stairs in the main living area lead up to a set of sleeping areas, with space for six separate rooms with two people in each. There is a small bathroom on the ground floor, which looks over the river. A bath in this bathroom uses water drawn from the onsen, but this whole building is musty and abandoned.

11. Gardens

The gardens here are now in disarray but used to hold a sizable herb garden, and could do again if cultivated. There is a small glasshouse, with some panes currently damaged, and a shed with tools for gardening.

All of these areas are damaged and run-down, and some parts (such as the Longhouse itself) have been badly soiled by the beastmen who lived there until the PCs drove them out. The Onsen is fully functional, and anyone spending the night in the fully restored compound recovers 2 wounds per night instead of one. Anyone who spends a week fully resting here with appropriate care upgrades resilience checks to recover from critical wounds, and all healing spells and medicine checks performed to recover from critical wounds are upgraded. Attempts to brew healing potions in the tea workshop are also upgraded once due to the benefits of using magical healing water to prepare them, but the difficulty of brewing poisons is upgraded once for the same reason.

The compound can serve as a tier 3 stronghold, with one free tier 1 feature (the onsen) that does not count toward the limit of tier 1 features. It easily has accommodation for all the PCs, and the servants rooms can be adapted to easily accommodate Selina and Laiea. Some extra work will be required to enable the addition of a barracks – for example installing a dormitory above the stables, or reforming the hostelry to allow the guards and the PCs to have rooms in the one building. Nonetheless, the compound offers a versatile base of operations for a group of adventurers interested in settling down and using all the opportunities Estona has to offer as they chase up the many mysteries left over from their exploration of southern Hadun.

Some years ago now I played in a World of Darkness campaign set in a near-future world where McCain was president and a secret conspiracy was slowly pulling the world into an evil and hellish future. I played a washed-up communist called John Micksen, who served the Winter Queen and had found magic (he eventually tried to retire from service to the Winter Queen, but failed). We fought our way through many obstacles until eventually we reset the world and ended the evil god’s plan, although ultimately the ending of the campaign had a somewhat unsatisfactory “we woke up and it was all just a dream” feeling. We laughed at much of the world that we were adventuring in: the comic book proto-fascism of the McCain regime (complete with martial law and Starship Troopers style propaganda); the similarities to the Butcher books (which our GM swore were a coincidence); the vast and expansive nature of the plot and what we were up against (gods, angels, vampires; we had the helldog Cerberus as our guard dog by the end); the comical paedophilia and satanism of our enemies; the incredibly complex conspiracy theory we were unraveling. But in retrospect we were playing in a foreboding of the world to come. Not the real world, of course, but the strange fantasy world that so many QAnon lovers have fallen into over the past four years. But for all its awful real-world consequences, as a campaign world the fantastic visions of the QAnon conspiracists leave my World of Darkness campaign for dead. On the still slightly optimistic hope that by Wednesday their figurehead will be out of the white house, we can begin to shrug off Qanon as just a particularly weird and unpleasant cultural movement of these weird times, and then maybe we can begin to think about what an excellent gaming world their insane conspiracy theories have left us.

In the Qanon world a cabal of satanists have taken over the US government and are using their power to commit horrible deeds, including harvesting “adrenochrome” from tortured children, and attempting to make a world government where a small cabal of freaky people control every aspect of our lives. Almost every major institution in the US and much of the world is in on it, and only a small group of aware people are in a position to stop it. In this insane view of the world Trump is going to sweep the conspiracy away and save the universe, but the conspiracy itself goes all the way back to when Clinton was in the white house, with the tentacles of the evil organization involved slowly stretching out through all the organs of the state. This means that there are various stages of the Qanon world that could be used as a setting, probably starting with some period in the 1960s (QAnon believe the Kennedy conspiracy, and also seem to see a connection between MK Ultra and what they think is happening now). It blends Stranger Things, the X Files, and Buffy the Vampire Slayer seamlessly with every one of Dan Brown’s craziest stories to make an all-encompassing and absorbing world of evil to take on. Really, it’s an ideal campaign world. Let us consider some of its special features.

  • Demonology and magic: The whole thing is run by a cabal of very rich satanists, who could easily be into devil worship and black magic, or could be some kind of elite and ancient force of magic users, holdovers from the Knights Templar or some weird actual mediaeval cult (a lot of Qanon seem to think the Vatican is involved) or Vampires. Given the far right’s newfound interest in organic food, tarot and inspirational Instagram posts it’s also possible there could be forces of good aligned behind other forms of magic: religious and spiritual magic, norse witchcraft and religion, etc. The sky is the limit! There’s a lot of scope to merge the Qanon conspiracy with a Gaiman-esque American Gods scenario, in which the strings are being pulled by old gods and what is happening in the USA is actually a puppet play with the strings being pulled by fallen gods seeking temporal power. Why not chuck in the Annunaki? (The Facebook Annunaki History group has a thread with 156 comments discussing their link to Qanon!) Maybe John Dee was one of the original cabal? So much to play with!
  • Lots of guns: Most of the action takes place in America, where gun control is now a complete loss, and the PCs can walk around freely as heavily armed as they like. This is always a problem with modern-era games – how to enable the PCs to pack the kind of firepower they need to take down an Annunaki-worshipping paedophile deep state operative with an APC – but in Qanon world that’s no problem, open carry is completely cool and you’re always free to stand your ground where the paedophiles are concerned.
  • All the secret organizations scale: Because almost everyone and almost anyone can be part of the conspiracy, you can start at low level organizations – the paedophile scheme of your local pizza parlour, deep state connections in the local girl guides group, bizarre rituals under the primary school – and scale up to national or international super agencies. You can go from snooping on your pizza parlour to fully armed raids on the UNESCO HQ. The sky is the limit!
  • False flags everywhere: Almost any component of modern history can be turned into a Qanon conspiracy, which opens the potential for the PCs to be present at – or stop – any one of a range of horrible recent events. 9/11, Columbine, pretty much any war, Jonestown, the El Paso shootings, Fukushima, whatever – you can be there to stop it, to investigate who really did it and hold them to account, or to do it. And similar to the City of Mist RPG, if you do get caught in a firefight you know it won’t be news for what it actually was, but will be swung by the deep state media into another school shooting or drug bust, so your investigative and retributive activities don’t need the kind of scrupulous attention to detail that would be required in, say, a Rivers of London -based magic/reality campaign, where even the police don’t have guns.
  • Viral apocalpyse: The whole thing of course can come to a head in 2020, when the deep state unleashes a virus that will overwhelm the world unless Bill Gates gets to inject you with chips. The PCs can be working to stop this happening, or they can be working to prevent the vaccine from being deployed, or protecting an organization developing a real vaccine for true believers (maybe it’s magical – maybe it’s not!), or racing to find the origins of the virus before it mutates and turns even on its creators, or maybe the game starts as everything is really falling apart and they have to stop the apocalypse. What are Iran and North Korea doing anyway? There’s so much at stake!
  • Obvious character classes: The Hacker, the Veteran, the Survivalist, the Scientist, the Occultist, the Criminal, the Private Investigator, the Corporate Dropout, the Activist, the Politician, the Entertainer, the Lion Tamer, the Agent, the Podcaster … the profiles and rules just write themselves in this world, and the ideal party will be a mix of all of them, with their combat skills, science background, occult background and street contacts. We aren’t going to bust this conspiracy open and less we can cover all the bases!
  • Obvious enemies: Forget Blue Lives Matter, recent events have shown us that if you’re a Qultist you need to be flexible about how you deal with the legal representatives of the state, and the agents of the deep state are everywhere – they can be in congress (even the Republican party), on TV (suddenly even in Fox News), in the military (look at all those generals who refused to back the Qult!), and of course scattered all through the corporate world (don’t forget to turn off location services before you storm congress in the campaign finale!) And who doesn’t like raiding the homes, luxury yachts and secret underground paedophile bunkers of the super rich? There is a pantomime list of evil-doers to take on, and no need to feel bad about killing them – after all, they’re all paedophile satanists!

The QAnon conspiracy offers a rich and intense world of conspiracies and dangers that provides a GM a perfect balance of investigation, negotiation, fighting and stealth to keep players constantly entertained. Being set in the real world, maps and settings are easy to produce and use, and inspiration is all around you (just like the conspiracy!) You don’t even need to be balanced – no matter how outrageous and outlandish your story, it will still pale in comparison the fantasies that actual Qultists wallow in, just as X-Files looks lame compared to the QAnon story, and just as my World of Darkness campaign looked kind of tame when compared with what actually happened after 2016. You can go to town!

Of course there is one small problem with the QAnon conspiracy as a world setting: the good guys in this conspiracy are Nazis. That is a slightly unpleasant downside. But there are obvious simple solutions to this plan: you can move the setting back in time a little, to when conspiracy theories were the domain of a wide array of kooks and weirdos and hadn’t been cornered by gun-toting white supremacists. You could simply retrofit the setting so that the Nazis are the paedophile satanists (with conservatives every accusation is really a confession, after all) and keep the entire QAnon world with just the sides switched (there are so many false flags wrapped within schemes hidden inside disguises that who knows, anyway?) or you could play non-Americans who have to deal with the torrent of racism and fascism coming from their American comrades, with associated schisms and additional challenges to fighting through to the heart of the problem. Could it be that Q himself is a double agent, a double negative intended to discredit anyone acting against the conspiracy by wrapping it all up in Nazism, just as at some point in the decline of the X-Files we find out that all of Mulder’s conspiracies had been planted by the government to keep people distracted from the truth of Alien contact[1]?

If Trump manages to cling on past Wednesday, or there is another attempt at insurrection that is actually successful, we’ll be living in the QAnon world and there’ll be no point in playing make-believe games based on it. But hopefully on Wednesday this entire shitshow will fall apart and some degree of normality will return to US politics, after which we can begin to look on QAnon as a hilarious and awful moment of mass hysteria, that provided a rich and complete setting for a modern-era role-playing game with guns and magic. Let’s hope that it will all soon pass into the realms of fiction, so that we can turn it into the fodder of day dreams, and no longer have to give it sly side-eye while wondering if it will soon become the substance of our waking nightmares.

fn1: I could be misremembering this, but there were so many twists and turns in the dismal end of that story that who can say?

Yesterday I wrote a post about the ways in which online teaching and supervision can be superior to physical teaching and supervision, and today I want to follow up with a short post about what aspects of online gaming can be transferred to physical gaming. I finished my Coriolis campaign online, and we have started the Archipelago campaign online too. Gaming online at this time has been necessary to avoid a physical TPK[1], but it has had several advantages:

  • We were able to include a former Coriolis player who moved overseas in the final part of that campaign, which was a good way to end the campaign and reconnect with an old player
  • One of our players is managing a very young child and another is living a large part of their time outside of Tokyo, so we’ve been able to include them in sessions
  • We’ve been able to meet more regularly because we can set weekday evenings without having to worry about commuting or finding a convenient venue

In Tokyo there are lots of venues you can hire on weekday evenings for gaming, so we can find a mutually agreeable location, but the physical meetings are short and interrupted by eating, commuting and so on. When we game online during the week we can start later – 8pm to enable children to settle – and have already eaten and relaxed after the day. I also don’t have to lug my gaming material through the summer heat, and if we finish at 11 with a solid 3 hours’ gaming done, we can still be to bed early without worrying about commuting. We usually start an hour earlier for socialization, and people just join when they can.

For Coriolis we used roll20, and for the Archipelago campaign we are using a system called RPG Sessions for characters and dice, run partly through discord, and roll20 for mapping[2]. As the number of coronavirus cases stabilizes in Tokyo and maybe begins to curve down, we’re thinking about returning to physical gaming sometime in September, but I think we are going to continue with some online sessions permanently, because it’s difficult to gather the whole group regularly on weekends and easy to gather them on a weekday night. Also I think when we do game physically we will retain a few aspects of online gaming.

In particular I aim to keep using roll20 for mapping. There is this constant problem with maps and tabletop RPGs that they have to be put in the centre of the table, where there is usually a huge pile of snacks, and some people always have to stand to look at them, and then also the map is oriented towards half the group and upside down to the rest. I think we can get around this by having each person see the map on their own tablet, and also have it on a big screen at the end of the table (I have a tv in my kitchen that I can share with chromecast). Thus we will all be able to see the map but have a shared map at the same time. Players can move their own PCs on the map, and we can maintain the sense of physical space without having to invest in horrific things like miniatures and the like[3].

Using roll20 for mapping also avoids the annoying situation where players are supposed to navigate their way around a physical map based entirely on my descriptions, when I can just use the fog of war on a map software to immediately reveal the rooms they can see, and the monsters they can see, when they see them. This is a vast improvement over physical maps or – worst of all – the horrible 1980s tradition of having a “mapper” who mapped out the dungeon as you explored it and always got it wrong. Having virtual maps also enables us to flick between them quickly, to have pictures of enemies and so on. Why go back to printed stuff?!

I think we will also continue to use RPG sessions for character sheets. It is very nicely integrated with the Genesys system so that for example it even records criticals, which is great. Instead of having my PCs note down the name of the critical and its details they just hit a button and roll one up and it gets added directly to their character sheet. I am using onenote to track campaign sessions, so now we just put the date of the crit into the character sheet and we know exactly when to attempt crit recovery, etc. There is also no risk anyone will ever forget a character sheet, since there’s zero chance they’ll leave home without a phone.

I have recently subscribed to the new Twilight 2000 kickstarter (and I suggest you do too!) which funded in 7 minutes, and is now up to its 9 billionth stretch goal. One of those stretch goals was the development of virtual tabletop tools for all the major applications, so that when you receive the game it is ready out of the box to be played online. I hope all new RPGs will do this in future, so that we can have a fully integrated virtual mapping, gaming and dice rolling system all in one. Of course some players like to roll dice (even though they’re shit at it[5]), which they will still be able to do, but the availability of ubiquitous online gaming platforms also opens the possibility of arbitrarily complex dice systems, since there’s no reason to physically assemble them or calculate the results. Who needs ideal polygonal forms for your dice when you can just roll d73? We could have dice systems based entirely on prime numbers! Or just go straight to arbitrary probability distributions … why go back?

This pandemic has forced the world to deal with the fact that the internet is no longer an ersatz reality. It’s no longer the case that things done online are not relevant to or close to real life. We should accept this, and instead of seeing online experiences as inferior to physical experiences, things we were forced to compromise on for our health, we should see them as ways to improve our past physical experiences to make them better. Rather than going back to how things used to be, let’s use the improvisations we had to make during this time to improve our physical lives when we are able to reconnect. I am trying to do this with my teaching, and I aim to do it for my gaming too!


fn1: Touch wood none of our players have got coronavirus, though two have been through some health scares, but some of us are older and some of us overweight, so we’re in the risk group for getting it badly if it does happen, and a gaming group is a perfect scenario for a cluster

fn2: Roll20 supposedly has an api for genesys dice but it is completely broken so I had to give up on using it. This was frustrating!

fn3: I’ve never been a great fan of miniatures for gaming, because I can’t paint them and they’re an absolute bastard to lug around, and for the first 15 or so years of my gaming experience they were only available in lead[4], which was heavy and ugly

fn4: Yes in the 1980s parents willingly allowed their still-developing children to participate in a hobby that involved casting lead, and playing with things made of lead. WTF

fn5: Jesus christ people, have some dice discipline will you!

I have been running a Coriolis campaign for 39 sessions now, with the PCs having accrued a lot of experience and a large number of talents and skills. The Coriolis rules are generally very tight and have been very easy to work with (except perhaps the space combat rules), but some parts of the basic rules lack a little depth as you gain levels, and there have been some ways in which my group and I have worked together to enhance the rules and in some ways to change them. Here I list some of those changes, and one change I should have implemented but didn’t.

Talent tiers

Pretty early on we realized that talents should have tiers, with more powerful and versatile effects at higher tiers. So we have made some additional talents that apply beyond the first tier. They still only cost 5xp to buy, but they require the previous talent in the tier first. Here are three examples of these tiers in action.

Tenth life: This is absolutely fundamental to enjoying this game. Once you’ve invested 50 xp in your pc you want some way to cheat death, and this is it. It’s the second tier of Nine Lives, and it has one purpose: you burn the talent to nullify a critical roll of 66. This is the game’s only one use talent, meaning you have to buy it again every time you used it. In our most recent session the PC Al Hamra used this to nullify a 66, and then got hit later in the same battle with another 66, which he could not nullify, and two other PCs (I think) have been forced to use their Tenth Life (then immediately bought it again). This talent is tier 2, with Nine Lives at Tier 1, but I think actually Nine Lives is a massively over-powered talent and should itself be Tier 2 – Tier 1 of this talent tree should be something like rerolling a crit and being forced to take the second roll, or being able to use Nine Lives only once a combat or something. But given how lethal this game is we haven’t quibbled with it: Nine Lives is basically a mandatory talent.

Machine gunner: The Machine Gunner talent now has two additional tiers. The first enables the PC to ignore the bulky quality of weapons (enabling them to carry vulcan machine guns as if they were carbines) and the second to fire full auto using 2AP. Adam has all three tiers, which means he can ignore an extra 1 when he fires his machine gun, he can carry a full vulcan machine gun as if it were a normal weapon, and can reload and fire in one round (he has rapid reload too). This makes Adam absolutely lethal when he rolls well, since he can ignore the first two 1s in an auto fire attack and do it every round even if he exhausts his ammunition. This is just as well since Adam’s player always rolls really badly.

Executioner: Tier 2 of the executioner allows the player to roll a second critical and choose the best one before reversing the dice. It partially nullifies Nine Lives and is used by Siladan, who is a melee fighter and consistently suffers the disadvantage of having to charge through a round of missile fire before he can engage. This is a very bad disadvantage in melee! I suspect that if combined with machine gunner this talent would be horrific.

Combat medic: Tier 2 of the combat medic talent enables the PC to heal damage when stabilizing a crit (but only when stabilizing a crit) so that each additional success grants one wound. Until we expanded mystic powers this was the only way that the PCs could recover damage during combat if they weren’t broken, and avoided this weird and unholy ping pong in which Dr Delekta had to wait for a player to be broken, heal them up a few wounds, and then let them be broken again (I think this ping pong happened in the first few sessions because we misunderstood the healing rules). In any case it’s super important because things spiral down the tube really fast if you can’t heal wounds along with stabilizing criticals. I think this system is far more lethal than even Rolemaster and a lot of our house rules were developed to make it survivable[1].

Expanded mystic powers

These have been described before but I include them here for completeness. In particular the higher levels of the Stop power (which give domination ability with almost no resistance) and the healing powers have been very useful. One of our mystics, Saqr, usually keeps an action point spare for a reaction that increases his armour. Another PC, Kaarlina, has all the levels of technomage and has found them very useful in a lot of situations, and of course Al Hamra loves both the second tier of the mind reading power and his domination abilities. I haven’t really deployed these powers to great effect against the PCs yet but I feel this will come soon.

Enhanced minion powers

I have been following the rule that minions add one die to their attack for each extra member of the group, but I have further enhanced the rules to make them a little more dangerous, enabling extra dice in additional situations.

  • Observation checks: Obviously with more people looking the chance of success should increase
  • Dexterity and force checks: When an entire team tries to get out of combat someone should be able to break through, so I increase dexterity checks accordingly; similarly for force checks, even in grappling-type situations (it’s hard to grapple one mook when three others are whaling on you).
  • Auto-fire: This is the key enhancement. Every extra minion in a group increases the number of 1s that need to be rolled to exhaust their weapons’ ammunition, so for example if there are four minions in a team they need to roll four 1s (the first 1, plus 3 more) in order to exhaust their weapons ammunition when using auto-fire. This makes minions with vulcan carbines absolutely lethal and ensures that my PCs are forced to take minions seriously, especially if I have enough darkness points to pray…

Group and individual skill checks

I follow a ruthless rule for adjudicating skill checks now: if the entire group fails from a single failure, everyone must roll separately; if the entire group benefits from a single success, the person with the highest pool rolls once and gains a +1 for each supporting person. This is done to ensure that the PCs do not basically automatically succeed at everything just from luck, and is something I learnt in D&D. Basically even if an observation check is super hard, if everyone rolls for it one of the group is likely to roll high. So I force the players to roll a single pool for observation checks, research, negotiations and the like – anything where even a single success from one PC is sufficient. In contrast, for stealth checks, where even one failure affects the whole group, I require everyone to roll separately and the entire group suffers from the worst roll. I recommend everyone apply this rule to a party with a fighter in plate mail!

You can really take this rule to new heights of nastiness by rolling some of the players’ dice pool secretly, yourself, so that they don’t know the exact result. I tried this a few times but the uproar led me to give it up. In this embellishment you roll perhaps a third of the dice yourself, so that if the players get no successes they don’t know whether to pray or not (since you might have rolled the one success they need); and if they don’t pray, they cannot guess whether the information they have received is untrue. It also means they cannot tell if they have got a critical success unless they see three dice in their part of the pool.

This is a real dick move, but if you like that sort of thing I strongly recommend it.

Strain from armour

When I played in a long (and excellent) Cyberpunk campaign we had to make a lot of house rules, and one modification we had to make was to armour, which proved invincible once you had more than a certain amount. We house-ruled there that if your armour fully absorbs damage you still take a point of stun damage, to ensure that no one can stay in combat for an infinite period of time just absorbing damage, because armour was so obviously over-powered in those rules[2]. Armour is not over-powered in Coriolis, but I think it would still be good to have a rule that if your armour absorbs all physical damage you still take a point of mental damage. Since absorbing physical damage often means avoiding a potentially lethal[3] critical, it seems reasonable that this should be a stressful experience. This also means that if you’re crouching behind cover absorbing huge amounts of incoming fire without taking damage, you will slowly lose your shit, which also seems reasonable. Unfortunately, however, I forgot this rule until recently and it’s definitely too late to implement it[4]. I recommend that you do!

Final comment on the rules

I have found the Coriolis rules to be very smooth, enjoyable and easy to use, with very little need for house ruling beyond judgements about positives and negatives, and winging it a bit with the use of darkness points. It’s a really well-designed and smooth system that is very fun to use. My only criticism would be that the talents and mystic powers are a bit superficial, and don’t allow the richness and depth of character creation that players demand over a long campaign. But this is a very minor criticism, and embellishing rules is much more fun than hacking them because they don’t work. So I present these rule modifications in that spirit, with the clear qualification that the system works completely fine as it is. Nonetheless, I hope you will consider using some of these rules in your own campaign, and even if you decide to ignore all of them, I strongly recommend the enhanced auto-fire rules for minions. Because, let’s face it, your players deserve the best!


fn1: Perhaps if my players were less reckless this wouldn’t be an issue … but they would argue I’m an arsehole GM and they have no choice. There were good people on both sides of the debate …

fn2: Don’t play Cyberpunk, the rules are thoroughly broken.

fn3: 50% of the time!

fn4: I suspect if my players read this they’ll be clamouring for me to implement the rule, since they’re about to face off with four guys in battle exos.

 

 

 

As my Coriolis campaign comes to its extremely violent conclusion, I am completing preparations for the next campaign I plan to GM. The last few campaigns I have GM’d have been science fiction: Coriolis, before that the Spiral Confederacy (Traveler), and before that a post-apocalyptic water-world campaign called Flood (using Cyberpunk rules, natch). My players are craving some high fantasy and so am I, but I am completely over D&D and incapable of running it or playing it any more – I just find it boring in all its incarnations and although I loved it when I was younger I can’t enjoy it past about 5th level, so I don’t want to run it anymore. I considered Warhammer, but I think my players would like to move away from worlds saturated in darkness and I know that when I GM Warhammer I make it altogether very grimdark, which some of my players don’t need. So, I decided to make my own sunny and upbeat campaign world for Genesys, using a classic fantasy RPG setting with orcs and magic and mediaeval scenes and monsters and completely arbitrary but fixed notions of good and evil which mean the PCs can slay any evil monster they want without fear of repercussions or any moral quandaries. The setting I chose is based on a map I found on the internet, and I choose at this stage to call it the Archipelago Campaign.

The Archipelago

The Archipelago is a collection of island kingdoms of manageable size, isolated from any major landmasses and connected by stormy but navigable seas. There are 8 nations of human settlements, a large wild area occupied by human-like tribespeople called wildlings, a single island for dwarves, and a couple of forests where elves live. There are also a few members of a race of people called Changelings, who are like humans but smaller and a bit weird, who live in hunter-gatherer societies and can change their form to perfectly resemble any human they have ever seen. The entire area is also plagued by deepfolk: orcs, goblins, ogres, dark elves and deep gnomes who are implacably evil and hate humans with all their heart and soul (if they have a soul). The deepfolk live underground and come out through hidden entrances and lairs in mountains, hillsides and forests, and there is constant conflict between these nasty creatures and humans. There are also other monsters in the forests and mountains, and one island has been ravaged and taken over by a dragon.

The refugee history of humans

The human society in this land is relatively light on history and politics. Humans arrived in the Archipelago 1000 years ago as refugees, but were immediately plunged into 200 years of constant flight and conflict as the deepfolk tried to destroy them. As a result of these 200 Lost Years they have forgotten their origins and lost all documents and written stories about their past, and so they know nothing about where they came from, why they fled, or how they came to the Archipelago. After 200 years the dwarves took pity on them and helped them found a few pathetic settlements, and after that they slowly formed kingdoms. They had to learn to read and write from the dwarves, either because they had no written language or all those details were destroyed during the Lost Years. They brought a kind of magic with them, learnt a new kind from the dwarves and a third kind from the elves, and slowly settled and spread across the Archipelago. Out of respect for their refugee history they have no systems of slavery or kings or queens, and generally there is not much conflict between kingdoms – I have set this society up to be light on politics and history so the PCs can focus on uncovering secrets and killing orcs, but without having the stultifying and boring influence of feudalism on the society.

In general human society is at the technology level of Britain in the 9th century, with the caveat that they have little access to iron – all iron and jewels are hoarded by deepfolk and can only be obtained through war. So weapons and armour are slightly neolithic. This introduces a new tier of weapons between mundane weapons and magic weapons, and gives additional reasons to kill those pale-skinned underground bastards.

Magic and religion

There are three forms of magic in the world, each connected to a religion: Salt, the magic humans brought with them; Storm, the magic dwarves love, which helps them become consummate sailors; and sun, the magic the elves prefer, which is most like the arcane magic we all know and love. There is no heaven and hell, no demons, no afterlife and no special moral restrictions from religion, so religion is primarily a reassuring force to make pathetic humans feel they have a place in the world, rather than a strong moral code. PCs can be one of the three religions but can never mix magical forms. There is a fourth kind of magic, deep magic, used by deepfolk, which is the only way that one can learn necromancy or enchantments, but no human has ever used it so domination spells and vampires are entirely the province of the deepfolk. Deepfolk are evil!

Races and classes

In this world as in all my worlds elves are dodgy, shonky wild creatures who can’t be understood or trusted, but players can choose an elven PC if that is their thing. Dwarves are simply small, thin folk who live on the sea and are masters of art, culture and craft – kind of like erudite 16th century explorers compared to the 9th century barbarian humans. The wildlings of the north are maybe a lost tribe of humans or maybe a different indigenous race, no one knows, but they’re bigger and kind of more savage than humans. Changelings live in small hunter-gatherer societies on the fringe of human nations, and don’t seem to have much wealth or care for human activities, but are much sought after for their transformation powers. No one can play any form of deepfolk, because deepfolk are evil.

Resources and plans

The document I have prepared for my players to read can be found here, with detailed information about the world and rules for the Genesys system. We will be starting in the next month or two, depending on brutally the players are able to end the Coriolis campaign. I am looking forward to a long, leisurely exploration of a fantasy realm after many years of science fiction!

On old Al-Ardha there was a nation of deltas and rivers, a low-lying land that had made its history and its culture at one with the sea. Rich nations far away from this tidebound kingdom polluted and ruined Al-Ardha, and as the seas of the warming world rose this nation that had lived at peace with the brine for 1000 years was inundated and ruined.

The people of this nation had a proud tradition of ship-breaking, taking the terrestrial ships of other nations and reducing them to their bones and parts, repurposing them and selling them. When the people of the First Horizon went into space the people of this nation followed, taking their ship-breaking skills to the Dark between the stars and becoming consummate recyclers of the ships of the richer nations that were ruining the surface. But for all their labours, when the people of the First Horizon sent out their generation ships to colonize the second and third Horizons, the people of this proud riverine kingdom were not included. Watching their own land sink beneath the waves of their dying world, they decided to build their own generation ship, fashioning a mighty vessel to take them to the Third Horizon and preparing it with loving care over decades to send out to the stars.

As they finished their ship, however, the people of the First Horizon discovered the portals, and generation ships were no longer necessary. The river-folk of this drowning land saw their chance, and quickly redesigned their ship to travel through the portals. They set off through the portals with the rest of Al-Ardha’s fleet, arriving in the Third Horizon and becoming part of the wave of migration known as the Firstcome.

This nation’s ship was called অটুট, Atuta, in their language. In the language of the Third Horizon this would be interpreted as the Unbroken. While the other Firstcome ships had been designed for the portals, the Unbroken had been designed as a generation ship, and it dwarfed the other Firstcome ships. 4km long, carrying some 500,000 people and a wealth of equipment and materiel, the Unbroken was twice the size of the next largest ship in the Firstcome fleet, and carried far more people than any of the other ships in the fleet. When the Firstcome arrived in the Third Horizon a mad scramble began to find new planets and places to settle, but the people of the Unbroken, being themselves victims of colonialism, refused to join the frenzied competition for land and resources that characterized that first wave of settlement. Instead they traveled the Horizon looking for a place to rest. By dint of the skill of their captains, long honed in a land that had grown with the sea and leapt into the sky, they were able to navigate the unstable portals of the Dabaran circle, and were among the first to arrive in the Dabaran system. While some of those who came with them chose to settle planets in the system the people of the Unbroken decided to make their fate in the stars, doing what they had done in the First Horizon. They brought the Unbroken to rest in a far orbit in the Dabaran system, and turned the huge ship into a massive space station, hundreds of years before the arrival of the Zenith. The massive engines that had powered it were repurposed into material for factories and shipyards, and the Shipbuilders of Dabaran began their trade.

Over the next generations, before the portal wars collapsed the portals and destroyed the connection to Al-Ardha, the people of that drowning nation set out on many small ships to the Third Horizon to join their pioneers from the Unbroken, bringing their ship-breaking yards and their factories and their culture to the Third Horizon. Over those generations another million people joined the original settlers, and the original space station grew in size, the Unbroken now surrounded by platforms and barges and dormitory stations and factories. The complex grew, and in this complex developed the largest, most productive and well-known of the Horizon’s shipyards: the Dabaran Shipyards. These shipyards could do anything: repurposing, renovating, scrapping, salvaging and building. They took old ships and reduced them to their components, recycling the parts into new ships for clients all across the Horizon. They refurbished and repurposed ships, adding and removing modules, changing shapes, grafting in new components, redesigning anything they were asked to do. And using the components they stripped from other ships, or materials brought in from distant systems, they build new ships to order. Mira could make faster, more beautiful ships; the freighters of Darkos were unparalleled for their solidity; Harima’s ships were faster and more luxurious; but if you wanted versatility in your design, at a reasonable price, or just wanted a simple, all-purpose ship with no problems and no fuss, the shipyards of Dabaran could build it for you. Everyone in the Horizon knows about Dabaran ships, but somehow they pass through every system unheralded, unnoticed and without awe or disgust. They are the workhorses of the Horizon, the vessels that all the people of the systems of the Horizon do not even know they depend on. These are the many progeny of the shipyards of Dabaran.

A ship being broken, viewed from the deck of the Legion destroyer Azure Sky

Over the years the shipbuilders of Dabaran have become synonymous with the system itself. Their language, Dabari, is spoken on all its planets, and the industry of ship building dominates the economy of the whole system. Over time the shipbuilders themselves have become associated with the system, and so they themselves are called Dabarani. Some live on the surface of the Dabaran system’s planets, but the majority – perhaps 2 million in total – live in the many stations and satellites of the shipbuilding community, which is generally referred to as Atuta by its residents. Atuta is a huge, thriving complex of interconnected spaceships, space stations, platforms, barges and habitats, linked by a complex network of transport tubes, docking stations, and tiny fliers and transports that swarm around the habitats themselves. Even a lifetime spent on Atuta is insufficient to understand its many communities, souks, gardens and factories, and to visit Atuta is to understand what the Horizon could be like if only everyone were as industrious, as busy and as energetic as the Dabarani. People from all over the Horizon come here to trade ships and ship parts, to do business in the hectic and confused bazaars and marketplaces, and to make money from the shipping industry. In particular the agents of the Nomad Federation and the Free League swarm to Atuta to do business, and it is a stronghold of these factions. The Legion have a presence here as well, ostensibly to ensure security but in reality to ensure a steady supply of spare parts and new ships for their expanding empire. Far out from the centre of the Horizon, Atuta is a hub of commerce and industry.

The Dabarani build ships, and they also break them. But they do not, officially, break or refurbish illegal ships, and it is an unwise adventurer who brings a stolen ship to the Dabarani to be refitted or scrapped. However, a large industry of hackers and criminals has grown around Atuta, laundering the names and registrations of stolen ships so that they can be merged into the industrial landscape and repurposed or scrapped by its official industry. The Dabarani ruling council claim to be ignorant of any such crimes, and promise to punish them with extreme prejudice if caught, but everyone knows that in reality they tolerate these people in their midst in exchange for the business they bring. Some say the Legion maintain a presence here so they can watch this business, and keep track of all the ships that are being stolen and scrapped – and the people doing it. Others say that the Dabarani are nothing more than the permanent home base of the Nomad Federation, who sometimes need to trade in stolen and salvaged ships, but the truth is simpler: Atuta is open for business, and any business can be done here for the right price, if you are careful and you do not cross the Legion or the leadership of Atuta. If you have a stolen ship all you need to do is find one of the many Data Djinn who work at the fringes of Atuta, laundering ship licenses, and then you are free to take your new, “clean” ship into Artuta to pay the Dabarani to modify it.

With commercial influence and power has come cultural independence, and the Dabarani have retained many unique cultural practices over the years. The hull of the Unbroken itself remains largely untouched, but within it has been renovated to reflect its new purpose as the centre of Dabrani culture. The old hangars, vast spaces designed to hold the many courier ships and shuttles of the original generation ship, have been turned into a complex of gardens and shrines, with at its centre a huge hall for reflection and revelation. Most of the ship’s stasis pods have long since been stripped away and turned into parts for an expanded medical bay, but a few remain, converted into tombs to hold the remains of the Nabi, the navigators, captains and engineers who guided Dabarani society through the first generation of its growth in the Third Horizon. The Unbroken also bristles with ancient Firstcome weapons, installed during the portal wars, and although quiescent now represents a potent military force if roused to action. The Dabarani also follow a variant of the Church of the Icons, in which the Icons are not revered as gods but as messengers of an ineffable elder god. While others in the Third Horizon hold all the Icons as equal, the Dabarani revere the Messenger above all, seeing him as the original conduit for the wisdom of the ancient god, and like to quote from a book of his ideas that they claim he brought with him from the First Horizon (and which the other Firstcome lost).

This is Atuta, the Unbroken, the home of the last refugees of a drowning land, its best pilots and its most industrious shipbuilders. The entire Horizon is connected by its labour, and the entire Horizon can be found here, in Atuta.

Who is Dr. Abad?

In the words of Banu Delecta, medic on the Beast of Burden:

  • Md. Jenin Abad was my senpai at medical school
  • Came from a poor Nomad Federation family
  • Big chip on his shoulder about class and the station/planetary divide
  • Soooo exhausting to deal with, constantly inserting politics into like everything
  • Ultimately became my classmate can you even believe it?
  • Because he took a year’s leave of absence to go do volunteer work in Odacon
  • To do this he spent 6 weeks picketing the School President’s office, and putting up fliers on the academy grounds, we were all like can you even believe what he’s doing?
  • Everyone thinks he only got into the school and got his leave of absence because we all know that Nomad Federation and Free Leaguer students get affirmative action
  • I mean It’s fair enough but like I had to study really hard and he was just doing zero-g acrobatics and working shipside and he just got into school just because of AA and then I bet he didn’t even have to pay the fees
  • Anyway diversity is good
  • So we studied together and I guess he was okay because even though he was always like complaining about my parents’ summer house on Kua not that I would have invited him I mean ewww he would help me with homework on the anatomy classes and he was really good in the clinic like I couldn’t understand what those kids from the cellars were even saying and even though his accent is pretty thick with Nomad federation slang he always managed to get through to them so I guess like his bedside manner was okay? I dunno if he should have passed but I guess the quality of healthcare out there in the Dark is so bad that it probably doesn’t matter but I hope he never works on Coriolis
  • Also he dated my friend Katmus and that didn’t go well and they had a big fight on her holiday yacht about like privilege and she dropped him off in Lubau lol and he had to get working passage back as a medic on a pox ship can you even?
  • Anyway from his work on Odacon I met Adam, so I guess that’s good right?

In Adam’s words

The picket didn’t work out for us and the Legion came in through number 1 and number 3 docks. I set up some of the renegades at the stairwell from 3 dock and we crashed a loader down the stairwell to 1 dock but it only slowed them down, and the retreat to 2 dock was vicious. We had to leave some of our wounded behind, I wanted to terminate them but the rebel leader said no not my choice to make, he’s a nice guy but it doesn’t surprise me he died a year later on Errai with attitudes like that. When you’re up against the Zenith you don’t have time to be sentimental do you? I don’t waste my time on that shit but I follow orders so I left each of them with the ammunition we could spare and we pulled back. The legion broke through to 2 dock as we were still trying to load the ship, because the leaders wouldn’t leave the wounded behind. Sheria was one of the leadership and she was gunned down pulling some wounded girl who was obviously useless, just going to bleed out on the ship if we even got away, but you have to be fair to Sheria and the other leaders, they didn’t hide on the ship when the bullets were firing. I’ll never forget Sheria, or the bravery of everyone else on that station. Foolish, pointless bravery, but better than I’ve ever seen from any professional soldier. I include myself in that because I don’t feel fear, and you can’t be brave if you aren’t scared, can you? Anyway I put a bullet in her head when she asked for it and dragged the wounded girl back, she died in my arms a few minutes later so that was a waste just like I expected. When the legion saw they couldn’t get the ship in time they fired some kind of bioweapon canister, we didn’t realize until we were in the Dark and the coughing started. But Ayman the political operative knew this doctor, Md. Jenin Abad, who he said might be able to help. For some reason I was immune but the rest of them progressed fast so we went to Abad, at a displaced person’s camp out in the edge of the system. He saved us all (except Ayman, whose gut wound was too serious for anyone to help). He’s a good man, Abad, a bit serious about politics but isn’t everyone in Odacon? Except me, I kill for money. When I got to Coriolis I was looking for a medic and I put a message through to Abad, who I knew was from the Academy. He recommended Banu, told me she’s a clueless princess but she’s good and under all the layers of lace and faux-naivete she cares. I don’t know about that, but she is good. So I owe Abad for that I guess. I don’t expect him to last with his attitude, idealists never do, but I hope he does a lot of good before he goes out.

You came in that?

Our PCs have had their first battle on board their ship, and I have been forced to think in detail about how large it is and how it is laid out. This is difficult, because many RPGs give guidelines on what to put in your ship and how much it costs, but very few talk about how it should all be laid out, how big it is and what it all looks like in the end. Some early games like Traveler provided deckplans but the ships they provided were very closely modeled on nautical ships and had a lot of flaws in their design (including that the final deckplans didn’t much match the design). So I did some thinking about how ship sizes and scales work in the Third Horizon, and came up with some guidelines, as well as some house rules for ship design. This post summarizes them.

The motivation: The Beast of Burden

The PCs’ ship is the Beast of Burden, a Class IV converted luxury yacht that they use for exploration and – as little as possible – combat. I have described the Beast of Burden elsewhere but its key modules of interest for ship design are:

  • 4 Luxury suites and 16 standard cabins
  • Two hangars, each capable of holding one class II or two class I ships
  • A single cargo hold, which in the original rules should hold 250 tons of cargo
  • A salvage unit
  • An arboretum

I ruled at the start of the game that the arboretum is a module, not a feature. The Beast of Burden is also armed and has various other modules, but for the purposes of ship design I think the ones listed above are crucial. So I need to figure out how all this is laid out and what it all looks like.

Ship size: The surprising scale of Coriolis ships

To figure out ship size I thought about hangars. These are the largest components of a ship, and are available from Class III up. A Class III ship should be able to hold a single Class I in its hangar, and a Class V should be able to hold one Class III. We can make some judgments from this. First of all, how big is a class I ship? It has 3 modules, so let us assume that each module is either a hangar capable of holding some small air raft or similar sub-orbital vehicle; or that each module is a 5x2x1 m cargo hold [for more on cargo holds see below] then we could imagine that if we laid these modules end to end the longest they would reach to would be perhaps 15-20 m long and 5 m wide. Add on a 5x5m floor plan for the bridge, and then a general padding for the external shell of the ship, engines etc, we can imagine that the longest a Class I ship would be is about 30m. Perhaps its total dimensions would be a maximum of 30m x 20m x10m.

This tells us that a Class III ship hangar would have to be about 50m x 30m x20m to comfortably fit such a ship. Realistically a Class III ship couldn’t have more than 4 modules for hangars, and we could imagine laying them in a 2×2 pattern (or in a ring of 4). So a Class III ship’s hangars alone could be 100m x 60m x 20m, or a cylinder 50m long and 60m in diameter. Add in some extra space on each end for cargo, service, engines etc and we can imagine the maximum size for a Class III ship would be about 150m x 80m x 30m. A Class IV ship needs to be able to hold 2 Class I ships in a single hangar, so that hangar must be about 100m x 50m x 30m. A Class IV ship could have 8 or maybe even 12 hangars, so its maximum size (with padding for crew space etc) would be 350m x 150m x 80m. Based on this we can present the following table for ships in the Coriolis system.

Ship class Max length Max width Approx weight Equivalent vessel (Earth)
I 30m 20m 600 tons Fast patrol vessel
II 75 m 40m 9000 tons Naval patrol vessel
III 150m 80m 60000 tons Container ship
IV 350m 150m 420000 tons Largest ships on earth
V 600m 300m 3600000 tons None
VI 1.2 km 1km An enormous amount None
VII 2.5 km 2 km None
VIII 5km 4km None
IX 10km 8km Coriolis station

The Beast of Burden herself is approximately 240m long, which makes her about the length of a Panamax cargo ship – some of the biggest ships used on earth[1]. Most of this is on the service deck, which holds two hangars, the salvage unit and the cargo. Without these modules she would be much, much smaller, but a Class VI ship with a hangar needs to have a hangar large enough to fit her, so its hangars need to be at least 300m long – in fact they need to be large enough to hold a much bigger Class IV ship than the Beast of Burden, which is why a Class VI ship can be 1.2km long.

Astute readers might notice that the weights given here are huge. I found some guidelines for calculating the weight of an ocean-going ship which suggest its weight is its volume divided by 5, and I have calculated the spaceship weights on the assumption that they would be half the weight of an equivalent-volume ocean-going ship. The reason for these enormous weights is that a terrestrial ship is long and slim, but no such restrictions apply to a spaceship. The Knock Nevis was 70m wide and maybe 80m in height, while a Class IV ship is twice as wide and higher as well. These larger volumes lead to much greater weights. In any case, in space weight is unimportant, so the main concern is volume, not weight.

For comparison purposes, I estimate the Coriolis space station is about 4.8 km wide and 7km long, making it a Class IX ship.

Dimensions of some components

It’s worth noting that ships of the same class can be remarkably different in size. A Class I ship with three weapons modules might be only 10m long, and a class IV ship that was devoted to carrying pilgrims in coffins might be only 100m long. Without hangars and cargo we can expect they are much more compact, but the ship class is decided by the total quantity of its components, not its size. Let us consider the size of some of these components.

For living space, I assume that a luxury suite is a 10mx10m floorplan, while standard suites are 5mx5m. I assigned 1m3 of space to the service station per 10m3 of volume of the ship. I decided not to measure cargo by weight, but instead by volume – 1 ton of cargo can be tiny if it is iron ore, or large if it is raw cotton. So instead I assign 10^class m3 of volume to cargo per module (so a class IV ship cargo module is 10,000 m3). The salvage station should be half the size of a hangar on a ship of that class. For class 1 and class II ships I assume a hangar (for sub-orbital small vehicles) might be about 10mx5m. Everything else I consider to be malleable in size and allocation, and I assume extra space for luxury suites or shared living space is natural. Docking stations, etc. scale up with the ship.

I assume the height of a deck for living space is 2m, or 3m if the ship is spacious, plus 1m per class of the ship. The Beast of Burden has two levels on top of its service deck, so as a class IV luxury yacht each of these levels would be assumed to be about 7m in height, with 3m of actual space experienced by the people in the ship. Obviously service decks don’t follow this plan.

Finally, I multiply the total volume by a small amount (perhaps 10%) for super structure, and then by a percentage equal to the cost inflation of the ship’s features. So if a ship’s features make it cost 30% more, then it also takes up about 30% more volume.

House rules for ship design

I made a few house rules for ship design, which I list here.

  • Cargo by volume: As mentioned above, I think cargo should be measured by volume. I assume 10^class m3. On a class IV ship this means one module takes up 10,000 m3, which is a 100mx10mx10m cube. On the Beast of Burden this is two sections, each 25mx20mx30m, forward of the hangars. A Class IV ship with 12 modules devoted to cargo could have 200mx60mx10m of space, 100mx60mx20m, and so on. By way of comparison I think the largest super-tankers can hold about 500,000 m3 of oil, about 4 times as much as a Class IV bulk hauler.
  • Divisible modules: If modules scale with class, I have decided ship designs can swap a single module for multiple smaller class modules. So for example a single class IV module could be composed of two Class III modules, four Class II modules, or eight Class I modules. So instead of having 64 stasis pods, a Class IV ship could opt for 32 stasis pods and an extra 8 escape pods (both class III modules). This will cost more because module price doesn’t scale with class, but it makes the ship design more versatile
  • Extra class I modules: For ships of class III and above, a couple of free class I modules can be chucked in to represent the vast space in these designs. These ships get 2^(class-2) extra class 1 modules, so a class IV ship gets 4 extra Class 1 modules. For example, an extra tiny hangar for sub-orbital vehicles, one more coffin, an extra escape pod, etc. This is just flavour.
  • Prison modules: The cabins module can be exchanged for a prison that holds as many people as the coffins option. Put it next to the medlab for added torture chamber options.
  • Hangar expansion: The rules suggest that the number of ships should increase as 4^class (so a class V ship can hold 16 class I ships) but this is madness: I have chosen to make it 2^class. On my calculations this means that Coriolis station can hold up to 192 class I ships at any time. I think that’s okay!

With these rules it’s easier to design flexible ships that suit their purpose.

Ships beyond Class V

I have included ships up to Class IX in my table of sizes to allow for the Coriolis to be described by the rules. I have not considered how modules, hps etc. scale up with these sizes, but a basic progression from the rules would suggest a Class IX ship has 640 modules, 24hp and 11 EP, and 17 armour. I would guess that some of these values (particularly armour and hp) would scale further, and modules might plateau, so you might expect 400 modules, 40 hp and 30 armour or something similar. That’s basically indestructible. Good thing there’s only one, and it’s not mobile!

Conclusion

The Coriolis ship rules lead to staggeringly large and very cool ships, with a lot of variation in size and structure within a class, and a lot of flexibility to describe different ship designs. Coriolis station is outside the core rules, but probably the way the rules work they could be scaled up to describe Coriolis station accurately. It’s likely that your PCs will encounter ships up to 1 km long, and they’re probably flying in some rusting hulk that is bigger than most ships on earth. I think there is a problem with Class 0 ships – we need some designs for in-system fighters but the current rules don’t support that – but otherwise the rules scale well and it works nicely. By adding dimensions to some components and changing the size of cargo, it’s possible to come up with some guidelines for how to lay out deckplans and design ships that are awesome in scale and lots of fun to fly in.

I want my spaceships big and exciting. I’m looking forward to the moment my PCs encounter a 1km long spaceship, and have to negotiate …

Edit to add:

I have house-ruled the hangar module to allow the hangar to carry more ships of lower class at a rate of 2^(class step). So a class 4 ship hangar can hold 1 class 2 ship or 2 class I ships. But the official rules say this should happen at a rate of 2^(2*class step). So a class IV ship hangar holds 1 class II ship or 4 class I ships. This leads to a really rapid rate of increase of ship sizes, even if we make generous assumptions about how small a class I ship is. For example, suppose we say the biggest a class I ship can be is 15m long and 10m wide, and a hangar should allow 5m on all sides of this ship. So a class I ship needs 25m x 20m of space in a hangar. Then a class III ship hangar would need to be 25mx20m in size, and the largest a class III ship would be would be perhaps 70m x 50m, if it had four hangars. However after this hangars scale up rapidly! A class IV ship hangar would need to hold four class I ships so needs to be 100mx20m, and a class IV ship could potentially have 8 of these, which in a realistic cylinder shape would make its hangars 200m long and 50m across – so the whole ship is about 250m long. After this things scale fast. A class V ship hangar holds 16 class I ships and needs to be 100m x 80m or 200m x 50m, so a class V carrier could be 1km long and definitely more than 600m. Then a class VI ship hangar would hold 64 class I ships and need to be 400m x 100m, and so on. By this reckoning I think the largest ships in each class would be about 1km (class V), about 2km (class VI), 4 km (class VII), 10 km (class VIII) and 20km (class IX). These are huge! And that’s assuming that class I ships are half the size of my starting assumption. In this variant there is much more diversity of size within ship classes, and the PCs will likely never encounter a ship bigger than class IV, but it does raise the possibility that the Order of the Pariah are sitting on some ginormous battleship (let’s call it the Yamato) that is going to appear in the Kua system some time in the future and be bigger than the Coriolis …


fn1: The largest ship on earth was the Knock Nevis, which was 460 m long. Panamax ships are routinely 250m long.

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