Today the riots in Hong Kong seem to be grinding down to their bitter end. This week the fascist street thugs killed a 70 year old street cleaner with a brick and set a man alight for arguing with them, and now they are trapped in university campuses and running out of food and options[1]. Hopefully the people who killed that old man will be brought to justice, and this remaining hard core of violent thugs who have spent the last few weeks running around Hong Kong beating up mainland Chinese people will be taken off the streets.

A disappointing part of this whole saga of racist street violence for me has been the way many in the international left have supported the racist thugs. This started with a complete misrepresentation and misunderstanding of the extradition law that started the whole movement, and some on the international left even supported the movement as it spiraled into street violence and calls for independence – or even a return to colonial rule. Now obviously, in some times and places, it is necessary (from a left wing perspective) to support radical action on the streets for some political goal, but obviously if you’re going to support such actions you need to be thinking: what is that goal, and what left wing vision will it achieve? In the case of this violent movement – after the racist street thugs splintered off the original antiElab movement and started the five demands – the question has to be: What is the ultimate left wing vision for an independent Hong Kong? These guys are throwing molotovs on the street in pursuit of separating from China, so if they were to do that, what would an independent Hong Kong look like? What leftist vision do we have for that?

Hong Kong has very little industry, no agricultural land, no natural resources, even its water is piped in from Mainland China. If it separated from China it would basically have two industries: land speculation and banking. Now those are completely viable industries, I’m sure, and there is certainly a place for an independent financial hub in Asia, but how could this city-state be a left wing vision? We already have a kind of model for that, Singapore, and although it is a nice place and has some very strong socialist principles going on (such as the huge public investment in housing and the central planning of much of the economic activity) it is also a libertarian dream. It is not a great vision for an independent Hong Kong, and it’s also not possible for Hong Kong to achieve: a large part of Singapore’s success is built on social harmony and a lot of that is built on some repressive free speech laws and the strong public investment in housing. Given that housing speculation is one of Hong Kong’s main industries, it’s unlikely that an independent Hong Kong will suddenly nationalise 80% of the housing stock. Furthermore, Hong Kong is basically run by four families, and any left wing version of an independent Hong Kong would very quickly have to run into conflict with those tycoons[2].

I can’t see a left wing vision for an independent Hong Kong, so I wonder – what do left wing people hope to achieve by supporting these rioters as they run around Hong Kong beating up Chinese girls with iron bars? What is the future of Hong Kong that the left would support, if it split off from mainland China under the pressure of these thugs and their firebombs? And if you cannot see a path to economic security and an egalitarian society, why would you support independence, even if independence were in and of itself right?

Which brings me to the second part of my disappointment with western leftists’ support for the independence rioters. The return of Hong Kong to mainland China is an essential part of the decolonization process. There can be no effective, genuine left wing ideology that does not support decolonization, and although there are legitimate reasons to argue against violent decolonization, a peaceful decolonization – as happened when Hong Kong was returned to China – is something that all leftists should support. The National Liberation struggle may have a bit of a ’70s whiff to it, and it may be a bit beardy and uncool, but it is still a fundamental plank of any real left wing vision for a fairer and more egalitarian world. That means that Hong Kong needs to be part of mainland China and ultimately so too does Taiwan. Supporting an independence movement in Hong Kong means reversing that decolonization process, and if you are going to support recolonization, or oppose decolonization, you need a very good reason. “A strong, independent, left wing state” isn’t enough, especially given that’s exactly what China is anyway; but given Hong Kong has no possible pathway to becoming a strong, independent left wing state (or any kind of left wing state), you’re simply betraying left wing principles by supporting it.

Now you might argue that freedom is more important than decolonization. This might be true under some circumstances, depending on the nature of the state you’re supporting separation from, but I don’t think it’s possible to argue that under the one country two systems ideal; and it certainly isn’t possible given the vanguard of this movement are fascist street thugs who want to return to colonial rule. There is no freedom under British colonial rule, and any movement that advocates for that – and waves the British colonial flag – while beating up people on the basis of the language they speak, is never going to be a movement for freedom and democracy.

This movement of racist thugs is a dead-end for the left. It’s not a movement for freedom, it’s opposed to the decolonization project that is essential to modern left wing ideals, and its only end point is a right wing tax hell hole squatting on the edge of China causing trouble. Left wing people should not support this movement, and as its last dead enders stumble bleary-eyed out of the universities they’re holed up in, we shouldn’t give them our support!

fn1: Their decision to occupy the university seems to me to be a sign of how little connection they have to the international left. University sit-ins only work if the government is at least slightly willing to play along with the game, if there is the possibility that they are going to make concessions, and the government is only likely to do that if they think the activists are honest and aren’t going to engage in an orgy of property violence. Anyone who has done a university sit-in (as I have, once) will know that they are extremely hard to do well, and when the police decide to finish them up the process is ugly. Looking at photos of these kids’ activities in the university cafeterias and common spaces, I don’t get the impression they are very well organized or familiar with how sit-ins work. I don’t think they have much connection to the international left if they haven’t been able to learn these things.

fn2: These tycoons are the real reason Hong Kong’s young people feel so hopeless, and they have done a very very good job of distracting Hong Kongers into thinking mainland China is the cause of their problems.

The World's Only Undead Con Artist

The World’s Only Undead Con Artist

In late night wanderings through my TV subscription I regularly stumble on WWE Raw, which is the latest incarnation of World Wrestling, the phenomenon that gave us Hulk Hogan and Jesse Ventura. I have a vague affection for WWE, because it is so over the top, so ridiculous, and so dramatic that I can’t help but watch it – for about 10 minutes. Then the constant drama wears me out. Tonight I stumbled on a strange combination of scenes in which first some dude called Raynes was kicking the living daylights out of some other dude, chasing him into the broadcasting area and then backstage and smashing him with a television in scenes reminiscent of the great Rowdy Roddy Piper/Paul Orndorff blow up. Following this the head of the WWE corporation came on stage to talk about how he was going to employ the Undertaker to destroy his own son (because in American entertainment Daddy Issues are the big plotline), Shane McMahon, in the “Hell in a Cell” at Wrestlemania, until his son came on to, well, I’m not sure what his intention was but he ended up having the shit kicked out of him by the Undertaker, who is perhaps 60 years old if he’s a day, like Carl McCoy on a potent mixture of steroids, toxoplasmosis and pork fat.

I’m always surprised when I see this because it’s such a transparent mirror of major trends in American popular culture, and it’s such obvious fraud, but the crowd so obviously go wild for it. I can’t understand how people can go crazy for such a fake thing when there is perfectly good real fighting out there, and I can’t understand how people get fired up to support a bunch of people who are, mostly, bullies and savage arseholes.

And that got me thinking about Trump rallies. And wondering if we can get some insight into what’s going on in the Trump movement through the insanity of WWE. Consider the following aspects of WWE…

  • It’s all about breaking the rules: In a typical WWE fight there are rules and a referee, but everyone involved breaks the rules from the start, and the referees stand around yelling and protesting but the wrestlers ignore them, but in the end someone wins according to the rules. The rules basically exist only to confirm the superiority of the victor
  • It’s all about clashes of cultures: In WWE every wrestler serves as a representative of a sub culture, and they are pitted against each other in a vicious battle for superiority. There are goths (the undertaker), migrants (people like Roman Raynes), rich kids (Shane McMahon), hillbillies (the Wyatt family), etc. And they all fight each other according to their own code and culture.
  • The winners are almost always vicious bullies: Typically, within the framework of the rules that they are breaking, the victors win by ganging up on a member of another team (i.e. a subculture) and beating the shit out of them, or by cheating through the help of their friends and viciously hurting a lone victim, but still being declared the winner. Curb-stomping is the norm in WWE.
  • The whole thing is an obvious fraud: The fans all know that what they’re being shown is not the truth, but they lap it up anyway.
  • The corporation is all: All the actors in WWE are supposedly wrestlers for the same corporation, and some of the ongoing threads of drama concern the ownership and direction of the corporation. Given that the wrestlers are teams representing the different American subcultures, the corporation itself serves as a metaphor for America – America as a corporate entity where power is wrested from the current leader through violence and skullduggery

That sounds like the fundamental elements of the movement Trump is building, to me. A movement of bullying power-hungry maniacs who only care about the rules when it suits them, supported by people who know that what they’re being shown is a fraud, but don’t care because the bloodlust and the excitement thrills them, and they know they won’t be the ones in the ring. Obviously WWE didn’t make these things, but maybe WWE – an enduring phenomenon of American pop culture that grew up in Reagan’s America – exemplifies the cultural movements that have been building up to Trump. A popular cultural movement increasingly divorced from the basic rules of polite society as they might be exemplified in sports like American Football, getting increasingly trashy and outrageous, and where the rules present more a set of guidelines to be used to your own advantage than an actual set of restrictions on what you can do.

And in a remarkable coincidence, Hulk Hogan wins a 115 million dollar settlement from one of Trump’s implacable enemies over a 9 second sex tape at the same time that Trump is promising to unleash libel laws on the media…

If, as I have, you have been aware of and occasionally watching WWE in its various forms over the last three decades you will have noticed how it has become unmoored from its origins, increasingly glitzy, increasingly violent, and increasingly savage, at the same time as it has become more popular and more sophisticated, and obviously more fake. This is Trump in a nutshell – the unhinging of American popular culture, and the incursion of its savage and violent underbelly into politics. Even the wives are involved, a common trope in WWE. All those insecurities and violent clashes in the substrate of American culture, that are played out so apparently hilariously in world wrestling, have finally bubbled up into politics too. And this Republican primary season is going to be the Summer Slam of American politics, its final descent into the nadir of this toxic trajectory.

I have always had a vague affection for world wrestling. It’s going to be fascinating to see the culture of WWE get control of the nuclear codes…



While I was travelling my blog attracted the attention of a Danish Fascist group, the Danish National Front, for its posts on Tolkien and fascism. A post went up on their message board indicating that the Tolkien books are recommended reading for fascists and giving my post on Tolkien’s racial theories as an explanation of why. I’m not, of course, going to give a link to the message board, since I don’t want to give them traffic (from my thousands of readers, ha!) and neither do I want to draw their attention (more than I have). The post about my blog only has two replies but one of the replies, translated in google translate, gives an excellent insight into how fascists and nazis think about Tolkien. Here it is, post-google:

There is no doubt that Tolkien’s books based on a Germanic mythology, even his linguistic inventions are rooted in language studies.

In contrast, Harry Potter pure fiction mixed with Marxist ideology of equality. I would never let my children read Harry Potter, but even read Tolkien’s books aloud to them – there is a readily available version of them as suitable for children and adolescents.

The post above this one also claims CS Lewis for the fascists, because

CS Lewis, author of the Narnia series, was surely also a racist or at least accused of it (especially for being anti-Muslim and producing Middle Eastern people as bad guys, etc). May I look at a time.

These two comments also give support to some of my claims about the conservative appeal of high fantasy.Note as well that this stuff transcends any individual national interpretation of Tolkien – now I’ve found it in the UK, Italy, America and Denmark. All strands of fascist thought in the Western world seem to have a strong appreciation of Tolkien’s racial and hierarchical themes, and see them as excellent propaganda material to expose their children to. They also don’t seem to have any concerns about the putative multiculturalism of the Fellowship, presumably because they see all the races of the West as representative of “white” men, and don’t care about the (huge) differences between dwarves, elves, halflings and men. The fact that there are no black men or “mongoloids” (Tolkien’s term) is more relevant to them than the fact that elves and dwarves are so racially different that they can’t even inter-breed[1].

This last point perhaps also is relevant in defense against the claim that the colours of the antagonists in Lord of the Rings are not symbolic of anything. Fascists take the whiteness of dwarves and elves as symbolically more important than the fact of their racial difference. This is a pathological level of focus on the real world notion of race, since their perception of skin colour transcends the very real, “scientific” differences described in the book. But they are largely only able to do this in the works of people like Tolkien and Lewis. I think that this ability to transcend the actual racial codification in the books, and to map onto it their own models, is made possible by the reassuring conservative environment of the books, and the germanic mythology underlying them. These books contain a lot of coda that reassure fascists that they are reading the “right” type of conservatism, and thus able to draw the “right” conclusions about the racial messages in the book.

I’ve read a lot of apologies for Tolkien’s worldview in my various posts about the racial theories inherent in them, but I think the way fascists view him and his work is a pretty clear sign that his politics is not worth rehabilitating. It’s possible to read Tolkien critically without losing enjoyment of the books, and it’s possible to play the fantasy RPGs that inherit his conservatism and racism with the same critical eye, without losing enjoyment of them (or indeed, enjoying those unrealistic aspects of their racial theory that make them so different to the real world). What it’s not possible to do, as far as I can tell, is read Tolkien while somehow claiming he is presenting a world devoid of racial theory, or even (as some seem to want) a world that is at least neutral with respect to modern standards of racial equality and racial determinism. This view of the books is only possible through sleight of hand (e.g. pretending the Fellowship is a multicultural symbol) or outright deception (e.g. claiming, as regularly happens, that the Southrons weren’t meant to be black). Fundamentally, it’s a text on scientific racism, and needs to be read as such.

Which doesn’t change the fact that it’s a great book. It just means that it’s a product of its times and, seen in a certain light, a work of virulent conservatism and racism. But so what? It’s still a fun read.

fn1: as far as we know…

Today I discovered an interesting interview with one Stephen Shapiro, University of Warwick, which was conducted in 2003 by the German Tolkien fanclub (at least I assume that’s what it is). At that time it would appear he had been working on a research theme similar to that which I’ve gathered here and here, about whether Tolkien is racist, racialist, or vulnerable to interpretation as such. The interview contains support for the claims I’ve made before about how Tolkien can be read, and contains some interesting information I hadn’t previously found about the way in which Tolkien is used by the far right in Europe[1]. The interview came out in 2003 and is, I think, a bit unfair on Peter Jackson – I think Shapiro has a very uncharitable reading of the poster advertising The Two Towers.  I’m no film critic so I can’t say anything about the claim that

In visual terms, there are also uncanny references to both Leni Riefenstahl and DW Griffiths’s Birth of a Nation, the film that celebrated the Ku Klux Klan.

If so, that’s a bit disappointing, but it’s also maybe not unexpected – Leni Riefenstahl is supposed to have done revolutionary stuff, isn’t she?

Shapiro also suggests that Jackson’s film could have been tolerably done in a more multi-racial fashion, and says

For Jackson’s part, he gives viewers too little credit, since many contemporary fans in the “fantasy and role-playing community” of games like Dungeons and Dragons and Everquest often encourage players to avoid racial stereotypes in their games, Jackson makes no concession to ethnic heterogeneity and often seems not to have considered if a non-white viewer would feel that her or his dignity had been degraded by the film’s representations.

I don’t know if I agree with this – D&D et al are games which, while they superficially “avoid racial stereotypes,” tend to also err strongly on the side of making the protagonist white[2]. Also, these games strongly encourage racialism, and I’m not sure that racialism is compatible with “avoid racial stereotypes.”

Shapiro also states that he is aware of someone else (internet link now dead) who claims to have proof that Tolkien subscribed for 20 years to an extremely right-wing, racist magazine called the League for Empire Loyalists. I don’t think this claim can be tested from the comfort of my armchair, so I’d like to add that I know someone whose dog has eaten someone’s homework, and on that homework it was clearly written that Tolkien was a member of NAMBLA.

There is s sizable section of this interview which backs up my earlier evidence about how Tolkien is used by the far right. For example, the Heathen Front (some kind of long-since collapsed British organisation of right wing “volkists”) admired him as “racialist”, and he was also extremely popular on the far right in Italy. One far right movement even ran paramilitary youth groups called “camp Hobbits”, and infiltrated the Italian Tolkien Society in the 80s. The modern Italian far right developed from a rump movement that survived Mussolini, but it developed along very different lines – it eschewed the modernist futurism of pre-war fascism and instead developed a philosophy based on sacred fascism, in which a traditional and a modern world view are in constant conflict, with the traditional worldview slowly decaying but then reasserting itself. This decay is associated with a decline due to racial mixing and loss of religious strength. This ideology of the “sacred Right” is consistent with the themes in Tolkien’s work, and is a very common view across much modern extreme right thought – David Duke espouses it, it’s crawled all across the pages of Stormfront and the other far right websites[4], and the people who are closest associated with it also seem very likely to be Tolkien admirers. The links between the spiritual fathers of modern Italian fascism and Tolkien are well described in this essay, which also points out that modern fascism is now so diverse that it is difficult to ascribe it a single guiding philosophy or even to define it clearly as “fascism” anymore.

I think that had Tolkien’s work been popular in the ’30s it would probably not have been popular with the Italian fascists, who were much more into futurism and total war than they were into romantic recreation of bucolic rural utopias. It might have influenced those who wanted religious re-development under the regimes, but these people were never popular with their leaders[5].  Had it been associated with Fascism then I doubt it would be very popular now, either, so it’s all round good luck for us that he published just a tad late. But I think in the post-war age there are clear parallels between the mythology and cultural history of the Lord of the Rings and the tale of cultural decline and racial mixing which the modern far Right want to tell. It’s not a coincidence, because like his fellow fantasy authors (and pretty much all of the white world) in the pre-war era, Tolkien believed in the Aryan mythology, the now-discredited model of Aryan archaeology, eugenics and the dangers of racial mixing; and he was, apparently, on the right-wing of British literary activity. Because he wrote such a detailed, lyrical and evocative world based around these ideals, he has become the literary standard for those elements of the modern far right who subscribe to the same mythology. I think he would probably see a lot of things in the modern far Right of which he would approve, but I think he would also see a lot (particularly in Berlusconi’s Italy) that horrifies him, and I think it highly unlikely that he would ever have supported the goals or politics of any fascist organisations in the 20th or 21st centuries. But his writing supports their ideals and he has been used shamelessly to reinvigorate their cultural background in the last 20 years[6]. Given the influence of Tolkien on role-playing and the fantasy world today, I think it’s fair to say that role-playing has a cultural heritage in these fascist ideals, and the closer one hews to the work of the pre-war canon that was steeped in them, the closer this heritage is to one’s game.

I don’t wish to draw too many conclusions about what this says about people like me who enjoy playing in these worlds. Some choices:

  1. It’s actually really easy to sterilise artistic work of nasty meaning if you like the work itself
  2. Good literary work can transcend even very powerful politically objectionable ideals (Nabokov, anyone?)
  3. The reader’s intentions and goals are much more important in the interpretation of the work than even the most blatant political intent on the part of the author[7]
  4. I’m an outrageous fascist who’ll be the first against the wall when the revolution comes

I do think, though, that there must be some extent to which this racialisation in standard fantasy and role-playing has to make it seem exclusionary to non-white readers. Even if 1) were true, some proportion of non-white readers who would otherwise enjoy the work must be put off by their obvious placement on the wrong side of the story in the pre-war canon (and by extension, much of the post-war canon). I wonder how many role-players in the creation of their own worlds unconsciously move away from the outright racialism in the early work, or subvert it in some way. I know I have done by, for example, making Orcs noble (I did this long before I knew about this critique of Tolkien) or by making Elves fascist (in my 4th Age Middle Earth Campaign)[8]. But it’s really hard to preserve D&D in any original sense without keeping the racialism, and I think this must be a turn-off for some people, and I would guess particularly for non-white readers who are perhaps more aware of the consequences of racialism than a lot of white readers are.

fn1: For those who don’t want to wade through all the other crap I’ve written on this, I should point out that although I think the association of LoTR with the far right is evidence that it is easy to read as racist, I don’t take it as evidence that Tolkien was racist and I don’t care if he was[3]

fn2: There is a whole literature and 15 years of internet debate over whether making your protagonists white is a sign that you, your story, your game, or your movie, is racist. I think that it’s better if, where race is an explicit motif, the races in question are inclusive. I don’t think in early D&D they are. I don’t take this to mean Gygax (or anyone else) was racist

fn3: In the sense that, I think it’s bad to be racist, and I think it’s bad if a book sets out to tell a racist story, but it doesn’t change my appreciation of all the other appreciable elements of the book. And I think it’s interesting to investigate the politics of a book and of its writer, but that doesn’t mean I think every book should be PC, etc. blah blah, insert other ritualistic disclaimers about not being a killjoy here.

fn4: As ever, I’m not going to link to these sites, because they’re evil and I don’t want them coming here!

fn5: Am I the only person who thinks it highly suspicious that “hyperborea” and “hyborea” sound very, very similar? I might have to investigate Howard, who wrote “The ancient empires fall, the dark-skinned peoples fade and even the demons of antiquity gasp their last, but over all stands the Aryan barbarian, white-skinned, cold-eyed, dominant, the supreme fighting man of the earth.”

fn6: It’s worth bearing in mind that after a movement engages in the level of monumental fail that the fascist movement fell to, they need some serious help reinvigorating, and a completely new ideological direction. It’s a miracle really that they’ve managed to survive in any way, shape or form and I’m sure any kind of long-term survival depends on their finding a new ideological basis.

fn7: Again, I’m not saying here that fascism was Tolkien’s intent. It’s worth noting that Orwell is consistently misused too, and loved by people on the right, even though he’s obviously a ferociously left-wing writer

fn8: This is really piss-poor subversion, because it doesn’t change the inherent racial essentialism of the framework, just reverses who gets what trait. Is this better? I would argue not… it’s just fun. I think Stephen Donaldson may be a good example of a popular canonical fantasy writer who screwed with the racial essentialism in the most obvious way – by writing a recognisable fantasy world mostly devoid of racial structures.